Posts from the ‘Issue’ category

From Issue 18: The Blue Minute

Kirby Wright

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kirby Wright won the 2018 Las Vegas Screenplay contest and also received first place at the 2018 Script & Storyboard Showcase in Hollywood for his treatment of an animated series.…

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From Issue 18: The Count

Christine Holmstrom

My first masturbator was a young inmate—standing at the front of his cell, jeans crumpled around his ankles, boxers sagging below his knees. His hand moved up and down the shaft of his penis. Looking directly at me, he pulled harder, his racing breath audible through the cell bars inches from me. 

I backed away, unable to speak.

What was I expecting anyway? The men here were rapists, robbers, and murderers. This was San Quentin, a men’s maximum-security prison, and I was a new female correctional officer—a prison guard—conducting my first institutional count. But here in West Block, …

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From Issue 18: Waste

Rich Furman

I have watched so much rot before me, and here now, two potential disasters. The pickled Korean cucumbers, the more serious of the two; I will need to build courage.     

I reach toward the back of the refrigerator, and remove a translucent-blue container. Cheese I brought home some months before from Mercado Latino. Queso Oaxaca, half of the strings stripped and eaten, the rest, a disconsolate off-white moon with a glowing, yellow haze. I may be too late. I open the lid, breath in, and am pleased–only mildly pungent–not far from its original form. 

I peel a small …

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From Issue 18: Picking up the Pieces

Mary Ann Presman

Deep in a daydream, Janet almost launched into “Take Me Out to the Ballgame” instead of “Lamb of God” at Communion. That would have been embarrassing. As it was, she saw Father John glance up at her in the choir loft—he heard that first errant note before she recovered, remembered where she was.

Which was at the organ for eight o’clock Mass at St. Seraphina’s Catholic Church, just hours away from her shift as a Guest Services Ambassador at Wrigley Field. These two occupations were not to be confused, although both were performed in what Janet regarded …

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From Issue 18: My Parents’ Hands

Ellen Stone

 

I saw the way she pushed them –
flickering like river –
into the mound, turning what
was almost weightless
into substance, flour of air,
pinch of sea, sludge of yeast
she drained, slight foam
from the narrow bowl,
hard plane of her wide palm
pressing on counter, leaning
with her urgent weight, making
something live that was static.
The way her brain flew, fingers
turning dough into baby, white
dusting cabinets, floor, her face
a studied countenance of care.

The manner in which he held a hoe
as if it were a loved thing, what
can …

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From Issue 18: Learning How Not To

Paul Ilechko

The sweet susurration of tires continues
as cars drift ruefully past my house.
It’s a constant stream, day and night,
and by now I no longer hear them.
Except, there are fewer after midnight,
which means that the extra ones in morning
act as a gentle kind of alarm clock,
drawing me out, hauling me up
from the deep, still waters of sleep.

Long ago, I learned to draw. In order to draw
well you need to learn not to think
too much. Afterwards, I learned to paint,
which to my surprise involved forgetting
how to draw. The …

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From Issue 18: All of it Returns

Charlene Langfur

All we have now is caring for each other.
Most days now I do piecemeal work on the computer
as long as I can stand it. That’s my job and after it
my dog and I go out walking as far as we can go in the desert sun.
She knows how to lead us through the deep sand
where the rabbits go and the roadrunners
with their opal feathers look for paradise the same
we do. Today we see on TV the president has the ego
of a cartoon character, oblivious to everything
but his own image …

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From Issue 18: Echo of Myself

Rebecca Beardsall

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rebecca Beardsall received her BA from DeSales University and her MA in English from Lehigh University. She is in the MFA program at Western Washington University. Her poetry has been published in various literary journals, and she co-edited three books. Originally from Pennsylvania but considers Washington and New Zealand home.…

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From Issue 17: Metra

J. Ray Paradiso

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

J. Ray Paradiso is a recovering academic in the process of refreshing himself as a street photographer and an EXperiMENTAL writer.…

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From Issue 17: San Francisco, Architectural Design

Keith Moul

 

 

 

 

 

 

 

 

 

 

 

Keith Moul’s poems and photos are published widely. Aldrich Press published Naked Among Possibilities in 2016; Finishing Line Press has just released (1/17) Investment in Idolatry.  In August, 2017, Aldrich Press released Not on Any Map, a collection of earlier poems.…

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