Archive for ‘March, 2018’

From Issue 17: Metra

J. Ray Paradiso

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

J. Ray Paradiso is a recovering academic in the process of refreshing himself as a street photographer and an EXperiMENTAL writer.…

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From Issue 17: San Francisco, Architectural Design

Keith Moul

 

 

 

 

 

 

 

 

 

 

 

Keith Moul’s poems and photos are published widely. Aldrich Press published Naked Among Possibilities in 2016; Finishing Line Press has just released (1/17) Investment in Idolatry.  In August, 2017, Aldrich Press released Not on Any Map, a collection of earlier poems.…

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From Issue 17: Buenos Aires, Argentina, Architectural Design

Keith Moul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Keith Moul’s poems and photos are published widely. Aldrich Press published Naked Among Possibilities in 2016; Finishing Line Press has just released (1/17) Investment in Idolatry.  In August, 2017, Aldrich Press released Not on Any Map, a collection of earlier poems.…

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From Issue 17: New York Minute

Harold Ackerman

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Harold Ackerman works in Berwick, PA, close by the Susquehanna River, where he lives with his spouse, Jane.  He has published poetry and fiction and maintains a photo gallery at briarcreekphotos.weebly.com

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From Issue 17: Bed Stuy Stories

Listen to this audio story here:

Vivien Schütz recently graduated with a Master of Fine Arts in Media Art and Design in Germany and is working as a freelance audio producer and director’s assistant for German public radio, and is now relocating to New York City. She did her Bachelor in Journalism and worked for a local radio station as a reporter.…

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From Issue 17: Phone Calls and Flowers

Hilary Brewster

 

March, 1995

I let the phone ring three times before I answer. I’m hoping it’s the boy I have a crush on, and I can’t seem too eager, says Seventeen. I close my algebra textbook.

“Hello?” I lilt the O.

“Can I talk to Katharine?” a man drawls. I’m disappointed it’s not for me.

“Sure, hold on one minute please.” My phone etiquette education did not include requesting the caller’s identification. I put down the receiver and walk to the landing to shout downstairs. I lift the phone back to my ear to confirm she’s on …

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